Fernandes YB-75 N Teardrop Bass in natural maple.1966 Guyatone LG-120 with rotating neck pickup.Celtic Moon - giant balalaika-like triangular acou.Diodati doubleneck made by Tokai and with fluoresc.Left-handed Rickenbacker 340 Rose Morris model com.Four Nick Page Baron Interceptors made in Berlin.Gilmour Choi Hee Sun Signature Telecaster.The Telecaster who wanted to be a Jazzmaster.Musicvox Space Cadet 12-string bass - NOS from 2000.Cybertech Custom with Sustainer, Midi pad and Deat.WEM Sapphire 12-string - rare 1960s solidbody from.1980s Westone Thunder III guitar with S/H/S pickup.Roland GR500 guitar synth with GS500 guitar contro.Vintage Japanese 1960s Greco Shrike with V-shaped.eBay seller thinks that crudely chopping up a Peav.Handmade through-neck electric guitar with piezo a.New guitars from the resurrected Musicvox company.Vintage Japanese 1960s TeleStar Green Goblin.Sekova hollowbody electric: another 1960s Japanese.1960s 4-pickup Greco solidbody "surf" guitar - but.Dalek's Handbag: Roland G-707 Guitar Synth control.
Weird pointy Marina guitar, possibly 1980s Japanese.© 2011, Guitarz - The Original Guitar Blog - now in its 10th year! This guitar is currently being offered for sale on eBay with a Buy It Now price of $429, and the seller points out that the middle pickup is currently not working and so will need some attention. The Westone Spectrum MX was produced between 1985-1986 and was also offered in an all-over blue finish. The guitar also features a floating tremolo system. Controls are a 5-way pickup selector, single volume and single tone - the latter being a push/pull switch for coil tap. Pickups are two Magnaflux III singlecoils, and a Magnaflux I UBC (unbalanced coil) humbucker in the bridge position. Features are a 25.5" scale length, 22 frets, solid Maple body, Hard Maple neck and fingerboard (so it could well be heavy). This Westone Spectrum MX is a Matsumoku-made guitar (yes, them again!), Westone being their house brand. Here's another "Spectrum"-named guitar from Japan, this one bringing proof that Haryama weren't the only Japanese guitar makers in the 1980s producing cellophane finishes.